Compare the representations of Frankenstein Essay Example for Free

Compare the representations of Frankenstein Essay Compare the representations of Frankenstein in Branaghs Mary Shelleys Frankenstein and the 1931 film Frankenstein directed by James Whale Language- 1931: Camera    Close ups are not used on Frankenstein as Branagh wants people to wonder what he looks like. There are lots of pans to show the set and the people there.   There is a close up on the monsters hand when it is twitching. There arent many edits which makes it boring and not very interesting. Sound    Diegetic sound is the machines, Frankenstein shouting, noise of the monster being taken up. Non-diegetic sound is the thunder; there is no music at all in the extract. Mise-en-scene    Henry Frankenstein is wearing a lab coat/straight jacket, which gives the impression that he is crazy.   He has slicked back hair using hair oil.   The acting style is very over the top, like theatrical acting. Frankenstein is side lit, to make him look scared and horrified.   Overall the lighting is mostly by top lights and sometimes the lightening. 1994: Camera    There are lots of frantic zooms, pans and also up and down shots, which makes the audience intimidated. The camera follows Frankenstein and shows his emotions/feelings.   The edits are very fast and unnoticeable, using cuts and jump cuts.   By making the editing quicker, this builds up the tension. Sound    Diegetic sound are the chains, machines moving, bangs, slots into the body, the electricity sparks and also Frankensteins voice and movements.   Non diegetic sound is the dramatic theme music, building up to create much more tension. Mise-en-scene    Victor Frankenstein is dressed in trousers but with no top. However the monster is naked. Frankensteins hair is shoulder length, which is very messy and sweaty. The acting style is exciting and energetic but not mad.   Frankenstein is mainly lit on his upper body.   There are lots of side lights and candle light, however the room looks dark. Institutions 1931:   In black and white.   Universal studios made the film, as they knew horror would be a big money spinner.   It was voted one of the best films of the year by New York Times. 1994:   It wasnt as brand new as it was in 1931, as in 1994 many horror films had been out. The technology was much more advanced and a lot had changed from 1931, new ideas and there was a new effect on people. Audience 1931: The big actor, Boris Karloff was used to attract the audiences.   People in 1931 were different to 1994, as it was all fresh and new to them.   Cinema was a get away for people.   Frankenstein was a big horror, and scared the audiences of its day.   The monster, which was thought as Frankenstein became a big horror icon, with a built up brow and a bolt through his neck. 1994: Kenneth Branagh and Robert de Niro were used to attract audiences. Horror films were the norm to people in 1994. They were a lot more sophisticated.   Money was much more wide-spread in 1994 but wasnt as much in 1931. Representation 1931: Frankenstein was dressed very much like a man in 1931.   His movements, delivery of the lines and his acting style is all over the top, like in the way of a theatre play. The light is normally based on the monster and when its on Frankenstein, the light would be on his upper body. The 1931 film changes Frankensteins name to Henry, rather than Victor The audience are supposed to react to Frankenstein in a scary way and that he comes across very mad. 1994:   Frankenstein dresses and looks very much like a man of the time that the novel was written.   His movements and acting style is energetic and exciting however doesnt come across at all mad. The light is mainly based on Frankensteins upper body; the rest of the room is very dark.   The music interprets Frankenstein very well, as he is running around being busy. The music is a fast, dramatic orchestra. Frankensteins name stays the same as the novel, which is Victor.   The audience are supposed to think that Frankenstein is very involved with his work and wants to get it done to see the result.

Supernatural in Toni Morrisons Beloved :: Toni Morrison Beloved Essays

The Supernatural in Beloved One aspect in the novel Beloved is the presence of a supernatural theme. The novel is haunted. The characters are haunted by the past, the choices made, by tree branches growing on backs, by infanticide, by slavery. Sethe, Denver and Paul D are haunted by the past that stretches and grasps them in 124 in its extended digits. A haunt, Beloved, encompasses another supernatural realm, that of a vampire. She sucks the soul, heart and mind of her mother while draining the relationships that exists between Denver and Sethe and Sethe and Paul D. Sethe is the most dramatically haunted in the book. She is the one who was beaten so badly her back is permanently scarred. She is the one who lived and escaped slavery. She is the one who murdered her child rather than return it to slavery. So she is the one whose past is so horrible that it is inescapable. How can a person escape the past when it is physically apart of them? Sethe has scars left from being whipped that she calls a "tree". She describes it as "A chokecherry tree. Trunk, branches, and even leaves. Tiny little chokecherry leaves. But that was eighteen years ago. Could have cherries too now for all I know" (16). It is apt that her past is represented on her back--something that is behind her, something she cannot see but knows that is there. Also it appeared eighteen years ago, but Sethe thinks that it may have grown cherries in those years. Therefore she knows that the past has attached itself to her but the haunting of it has not stopped growing. Paul D. enters Sethe 's life and discover a haunting of Sethe almost immediately. He walks into 124 and notices the spirit of the murdered baby: "It was sad. Walking through it, a wave of grief soaked him so thoroughly he wanted to cry" (9). The haunting by Beloved in its spirit form is stopped by Paul D. He screams "God damn it! Hush up! Leave the place alone! Get the Hell out!" (18). But Sethe's infant daughter is her greatest haunt and it is when Beloved arrives in physical form that Sethe is forced to turn around and confront the past. Beloved is the manifestation of a murdered two-year old in a 20-year old body. Her mind and actions speak as a child not an adult.

African Slav

Latin American/ Caribbean countries developed lower cost labor through the preservation of the hacienda system and continuous use of foreign and Mimi grant workers through Latin American/ Caribbean plantations, even though increasing indenture servitude and increasing of wage labor was becoming more prevalent in the growing cit The Hacienda system in Latin America kept labor costs at a virtually free price by nodding Indians to certain lands by constantly keeping them in debt through out the early modern to modern period.During the early 1 ass's, Herman Cortes after being granted the Spanish crown was given encompass, allowing him access to large amounts of indigenous labor. With the growth of Indian populace by the early sass's, the hacienda sys stem continued in full throttle. Similar processes occurred in Puerco Rich during the time Of Sp anis colonization in which haciendas were created and cheap labor force was used in order to create a greater production of goods.The reason for this continuity is that the use of the hacienda system continued to give Latin America the convenience of nearby indigenous labor for a very cheap price to pay. Foreign and immigrant workers within Latin America from 14501900 were use d to work on plantations and Haciendas, because of the benefit of cheap labor. By the late sass's, Trans Atlantic slave trade began to spark, causing African slaves to be a source of labor. As slave abolition movements began to ignite in the late sass's, it became me less acceptable to continue to have slave labor, so many plantation owners secrete kept slaves with them.However, by the late 1 ass's, slavery was almost non existent, alto ugh due to the increasing popularity of indentured servants in plantations, an element of mix oratory work was still reflected upon Latin American labor force. This continuity exists because of the fact that slaves were cheap, useful, and easily accessible labor that was overall very pr deductive to the purpose of prod ucing items. Indentured labor in the Caribbean was becoming an alternative to slavery quiz cocker as more Europeans began to migrate around the world.During the 1 ass's, slave arrays in a strong position for the Caribbean, but by the time that the late sass's rolled a round, migrating Europeans began to have the choose to become a servant by paying off debt with working on a plantation. A more effective way of labor because the workers are more MO titivated to do more. This change exist because Of the fact that slaves were not needed as m such once more dedicated workers came to do the job. A similar process occurred in American colonies in which indentured workers paid off debts in order to become citizens.Wage labor in Latin America was slowly becoming more prevalent rather than slavery on haciendas. During the 1 60(Yes, wage labor was basically unheard of in this a ere, however during the sass's, wage labor began throughout Latin America. By the sass's, wage labor continued to in crease in haciendas along with indentured labor and was used because of the massive European immigration occurring instead of having to use African Slav sees. This change exists because wage labor is the willingness or agreement to work on a Hacienda and by contract. Therefore, it is by choice, not force.

My Race Is Black, My Ethnicity, African American And My...

My race is Black, my ethnicity is African American and my culture (349) could be described as complicated. In applying these factors to my personal experiences I will refer to Matthew and Emirbayer’s â€Å"What is Racial Domination?† to explain the racial biases and discriminations that I have experienced from Arkansas to Los Angeles and ultimately Irvine. From the day of my birth my life and the opportunities presented or denied have been defined by racial domination and the Institutional racism of White Americans. My phenotype defines my race and ancestry as Black due to â€Å"physical appearance and constitution, including skeletal structure, height, hair texture, eye color, and skin tone† (Matthew and Emirbayer 2009, 337). My ethnicity is that of African American in difference to Blacks from the Caribbean Islands of Blacks that have emigrated from Africa. Matthew and Emirbayer says that Black culture exist as two distinct cultures defined by two classes—the middle class and the poor or â€Å"the underclass† and â€Å"instead of the Black community, we think in terms of sub communities† (349). I believe that could be further expand by geography, as my culture includes aspects of the economically deprived South, the ghettos of Los Angeles aa well as the White, middleclass suburb of Irvine. It is indeed complicated. Slavery would forever taint the lives of Blacks in America, far â€Å"more than any other institution, slavery would dictate the career of American racism: Blackness became associatedShow MoreRelatedPersonal Statement : Personal Identity Research831 Words   |  4 PagesPersonal Identity Research Paper I classify my race, ethnicity, and culture as a white, Irish-Italian- American, woman. My mother was born in Belfast, Northern Ireland and my paternal grandparents are from Sicily, Italy. 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